We all know that the demand for live broadcasts, especially sports, is constantly growing. Even in today’s climate, sports fans count the days until live broadcasts return to the screen – where, of course, it’s safe to do so – instead of re-enacting the classics and moments that captured the nostalgic moments of the 19th century in many places. Only a few months earlier. This poses a number of reporting challenges for broadcasters. The complexity of real-time delivery is enormous today; viewers expect to watch their favorite shows on multiple platforms and platforms. But even the most exclusive sporting events can now be made economically viable thanks to the ease with which they reach a globally dispersed audience through globally distributed media outlets.
But at a time when costs and environmental conditions are being reduced
The dynamics of operations will follow, these problems will change. With the return of the Bundesliga to Germany and the NASCAR race in the US earlier this month, the return of the 스포츠중계 live broadcast is gaining ground. Therefore, broadcasters need to find new ways to get live content quickly, in the right format and at a reasonable price on the market.
The current COVID-19 pandemic and social
Distance rules only complicate matters. It is no longer just a question of the economy: reducing the number of people and equipment used to cover an event is now essential to ensure the health and safety of all those involved in production. So in this changing climate, this is a great way for broadcasters to explore and adapt to domestic (or remote) production methods. Overcoming the problems of domestic production
Indeed, domestic production is becoming more realistic
The entire industry is gaining momentum long before the corona virus outbreak – it is certainly one of the industry buzzwords on the IBC stage last September. Simply put, home production is the capture and transmission of video, audio and data from an event location to a remote production studio (much more physically at home) where the entire production process of the show takes place.
And the content? The table of contents is extensive. Of course, competitive sailing plays a big role. But “rowing” very quickly recognized that we, the readers, want more than just regatta pictures and results. We are also interested in topics that extend beyond the competition: sailing, health, training, travel, equipment for boats and yachts, inside information about clubs and clubs, psychology and interviews – there is interesting reading for every group of athletes.
5G technology is a breakthrough for telecommuting with even greater capability and coverage than 4G
When the global COVID-19 health crisis hit, the workforce industry adapted quickly. Remote production has increased live production, especially for sporting events. A recent report shows that more and more radio stations are turning to remote production when covering live events, with 39% of respondents already using a remote production or REMI (Remote Integration Model) workflow. Almost half of the respondents (46%) said that REMI / home technology is one of the most important developments for their companies in the future
Today, most of the live events are produced remotely in some form. This trend is expected to continue in the future. External live production not only increases the operational efficiency and cost savings of radio stations, it also enables them to unlock production quality and invest in and produce more content.
Explore the benefits and challenges of remote production in live sports
One of the biggest reasons why TV companies are implementing live streaming remotes for live sports is that it greatly simplifies the production process compared to an on-site studio or remote broadcast car. In addition to reducing the number of people needed on site and reducing costs, it will also help produce more content for 2nd and 3rd level sports and improve the live production of the 1st a level sports by increasing the number of in-stadium cameras used.
